Posted by: whitegarapata on: July 10, 2009
In Probability Avenue, there was an old dream waiting to be fulfilled. It traveled back in time.
A young, slender, handsome man sat silently in the far side corner of a café. He has an ageless gesture marked with an expression of waiting. But he was not bored. He was a man always in purpose. He did not try to urge time to move forward. He waited patiently. As if time was something eternal to him. Something that was sacred and sublime. Time did not bother him. He lived with all his life without time—or without the essence of time—so a little late of his old acquaintance was not an issue. He can wait. He can spend all his life waiting for her in eternity if this was the only way to see her. It didn’t disturb him. He sipped occasionally on his hot cappuccino, placed the cup on the table with care. He craved for a stick of Lucky Strike, smiled at his self when he realized he gave up smoking long time ago. He reached the iPod Voice kept on his pocket. With a voice command, its menu appeared before his eyes. A retro-portrait of Bob Dylan graced the screen as wallpaper. The playlist appeared in holo screen, amazed of the songs that now were considered Classic. The man felt a moment of silence before he uttered the title of the song:
Man on the Moon by R.E.M.
The song played like a hymn from a distant planet. He wanted to cry. He felt his dream elsewhere. No, not inside in this café. But out there, sighing in silent with the constellation of stars.
Let me stop here for a moment. Leave the man on his moment of contemplation. Instead, let us look closely the interior of the café where this novel in-progress of your humble writer takes place.
We are inside of a Dome City, the Hyper-Manila as most people outside the wall of the city preferred of calling it. It stood just outside the Independent Muslim State (old name was Baclaran) near Manila Bay. It was the only city in the Philippines not run by Religious Sect Government. Years before the 2015 Filipino Civil War, Hyper-Manila was where Mall of Asia, Nayong Filipino, and some Call Center Companies stood before. By the year 2030 almost of the land area of Luzon was bought by the Royal Society of World Government and turned them into underground facility and laboratory for Advance Theoretical Physics, Cybernetics, and Reverse Engineering. In fact, unknown to the Filipino People, a Large Hadron Collider prototype was built at the bottom of Manila Bay.
Inside, the Dome City was called “Palace for the Elite Filipinos”. Founded by the first Ilustrado—the Mistress—its citizens were all Filipinos who were intellectuals, technocrats, scientists, writers, poets, musicians, and people whose genes were technologically enhanced or reset. As the citizens inside Hyper-Manila were concerned, life outside those walls does not exist. For them, outside Hyper-Manila was a mass of dead bodies of communists, Muslims, guerillas, and pigs.

time dilation
We found our man still sitting comfortably in his chair, enjoying his music and solitude. Now, he’s reading an Anthology of Poetry by 20th century Filipino poet. The Estrelya Café breathed life along the Probability Avenue, overlooking the Manila Bay. The café has cutting edge interior design, high ceiling, and solar panel lighting. Some citizens called it the “Star Café”, but costumers, most of them Filipino astronauts, were fond of calling it as café built for stars. Every night, the high ceiling was turned into a holoscreen. It looked like a large cloth spread wide where you can see the heaven painted in hologram, stars across was shimmering and galaxies were rotating in their own sole beauty.
It was built for his immortality, Mitchel Schrödinger.
Near the entrance of the café, there was a large IMAX screen hung. The screen showed an advertisement for purified water from Venus acidic atmosphere, synthesized with nanomolecules. Then shots were changed to a shampoo commercial, showing a cloned Marian Rivera. Then cut to a concert of a phenomenal female pop icon featuring her popular tchhotchkes, happening in one of the Off-World colonies. Not long it showed a Filipino Space Shuttle floating like a sponge in space. Then cut showing the different snap shots of globular clusters of Milky Way, taken from Bagwis Telescope.
Then the news flash rolled. A gorgeous android lady flashed on the screen. Everything with her was determined with algorithmic pattern, lifeless. She spoke, with cold and pure speech, about the Filipino Astronaut who was part of an expedition spearheaded by The Royal Society of World Government one hundred years ago. Their mission was to travel to the center of Milky Way. They were to build a wormhole generator to be used as sub-station for Time Travelling, the news said. Three days ago the crew of Spaceship Mariposa came back on earth. Their mission was a success.
The man watching on the IMAX screen, his eyes fixed to the Filipino astronaut, the youngest crew of Spaceship Mariposa.
He laughed.
He didn’t recognize his self on the screen. It was like seeing a stranger in the street. Everything on him on the screen was new, unrecognizable. Something on him was erased from the moment he realized who he was. Time was so tricky, he thought. He reminded himself with a film noir they used to watch with his dearest, before he took part in the expedition. The end was built from the beginning of the film.
How old was he now? He didn’t care to know. He left the Earth before reaching the age of twenty nine. Now, as if nothing happened, as if his life stopped decades ago, his age was still the same as before. He felt like a boy celebrating his birthday in a carousel. The cake never spoils.
A roving humanoid waitress with a vague human expression marked on her face asked the man if there was something he needed. The man observed her. She was petite with a long brown hair. She wore a mini-skirt, the luscious hips greeting him. A homosexual humanoid, the man thought. He smiled to her and made a gesture for nothing.
He turned his attention outside the café. It started raining. Artificial rain, he thought. A computer manipulated weather programmed from the central mainframe inside this dome city. Like traffic lights he used to see in the old days, only it was engineered by a sentient AI. As clever as the human mind.
The artificial rain embraced him like a forgotten thought. It resided straight to his heart. He smiled. What was his life before? He tried to remember. The old days, it was so sweet of her. In the old days, he was also here in Blue Wave, Macapagal Ave. Waiting for her, reading some books with hot cappuccino on his hand. The old days, their old life, their old habits, was still there, blinking in the dark.
Time, he believed, was still waiting for them.
They were both came from a family of Ilocano aristocrats, somewhere in Ilocos Norte. He was her kababata, a puppy love. Their destinies were written in the stars, as teased of her grandfather. The truth was, their families made a truce long before they were born. They were destined as esposo and esposa, her father’s palabra de honor to the family of his, as it was a great help of her father’s electoral candidacy. The truce was never a problem, however. Fond to each other, they relished the same kind of foods, listened with the same kind of music, read the same type of books. While other children were busy playing patintero or bahay-bahayan, you can found them in the library of his father, looking some pictures or listening to his grandfather reciting a poem. When they entered College in Manila, he became some sort a machinist to her, skilled of solving her petty problems. She always looked for him. Calling him in mobile phone, sometimes demanding him to fetch her in school, and inviting him to sleep over in her dormitory. In her dorm, he will tease her. She will tease her. He will cook for their supper. She will do the dishwashing. They would talk about the book he was reading, the upcoming movie they’re planning to watch, or their own anecdotes of the day. After dinner, they will read some magazines or listened to their favorite bands in compact disk.
As the outside world thrust itself in shadows, they found their selves in bed as two stars circling each other’s orbit, their bodies radiating of heat and perspiration.
My life, the man told his self, was run like a silent film. In black and white, in sepia tone with dust and scratches as the only proof of a love I never had. He looked up; the ceiling of the café was now filled with beautiful grains of sand, shimmering. The big deeper smiled at him without effort. Beyond that star was a constellation of fulfilled dreams. He felt a tinge of religious feeling with the stars that once he had known only as pipedream. I never gave up my love in purpose, he said. The stars, my life.
He closed his eyes and tried to remember the exact moment, the feeling of a brief promise he had made to a girl one hundred years ago.
He heard an old voce called his name. Their eyes met, like two stars waiting to become one. The old woman was smiling at him. A finite smile of immortality. It was his childhood sweetheart.
“You’re late.” Estrelya said.
He uttered love out of dream.
[image: physics at syracuse]
Posted by: whitegarapata on: July 10, 2009
I sometimes believe you came from the future. It is silly of me. You introduced yourself as the space traveler, the first time we met. It was nice, I giggled. Love at first glanced—of what’s inside your thoughts. Kinky. I went nova. My heart in thermonuclear bomb!
It was Astronomy 101. Love from a galaxy far, far away. Your padawan lover, I am. Me love you, Jedi master. That’s how we distribute the potential to kinetic energy of us, an agreement we never spoke about. The force is always with us, sexy!
How I acknowledge you, being part of my life, is the same as how you worshipped science. To you, it is not only a systematic body of knowledge; Science, in your most preferred taste, is a discipline of thought. Its beauty is in the act of learning, not digesting all its technicalities and mechanism. We are not scientists, you said. We’re laymen, lovers of ideals.
You talked about the different perspective of reality, the scientific point of view. Our discussion with Democritus is love in multiple orgasms. How our relationship is in the same strength, as indivisible as the atoms. Sure, I was only your little girl at that time. The girl who was hooked up with the story of Hunter X Hunter; who fancied on her bed alone the cute android girl in the anime Metropolis, a world of mine you almost ripped apart. You thought me tough shit, baby. I was a good listener. I got wet with your mental perversion. I loved every time you introduced me some basic idea of science. That big stuff you acquired learning from your favorite books, from discussion with the Council of Elders in Luneta Park or from your friends over bottle of beers and echelon of cigarette smoke. Force field, level-up! Power overwhelming! High, am always high with you. It was a culmination of what you’re single-serving friends always screaming: Fuck you and your intellectual masturbation!
Nothing can cum from nothing, right?
We were raindrops turned into crystallized molecules with Anaxagoras early investigation of the cosmos. Our love was simple yet subtle. We made love from the simplest idea of lovemaking. From innocence to complexities. We became immortals.
Priestess, I am. The thing you thought me about the Library of Alexandria, the center of knowledge in the ancient world. It became our rendezvous. The library with its scrolls opening up to different symbols and signs, we added the scroll of love with magic and different spice, no voodoo shit. We immersed ourselves with the ancient beauty as my lips reached yours, my hand caressing your back, and my body in total submission of singularity; everything breaks down into infinite feelings. I didn’t know you had an eye to sensuality. I was amazed when you told me that Calculus might have been invented long before Newton; from ideas of Democritus and the other pre-Socratic scientists the Greek culture was rich, startling. You were banging my existence into my life as Democritus the materialist was tapping the fundamental tool to describe the basic structure of the world. I still remember how you made me laugh about the giant tortoise supporting the flat universe. I’m the giant tortoise supporting your flat life all the way down, you said. Not very clever, though. Corny pa nga! But I laughed. :–)
Sometimes you struck me with e-mail bombs. Your electronic mail bathed with love and astronomical ideas. How come you describe me as neutrino? My God, I never understood it. Am I that blinding light shaking your weak gravitic life? You gluon! You annihilating the anti-particle me. Ha-ha! Nevertheless, I cherish the way you expressed your love. No dozen of flowers can beat it. The luminous ether, I am. Love that term of endearment. It was music. It traveled fast in my ear, nearly approaching the speed of light. Like an OMD song.
We are asymptotically free, you said. We behaved as free particles, like quarks in high energies. Though, you were the only one who always has high energy, especially when we were in bed. You shook the universe expanding without care in my bed, as if my body was sucked by a large black hole, collapsing.
Hoping this storytelling of mine would share the little history of us; just a slice of cake to what Feynman’s famous statement the “sum over history”. In the immensity of time, never have I dream to be with a creature as beautiful as you. No relationship is endless, as no universe exists forever. Sooner or later, it will fall apart. Maybe in a big crunch. Who knows? We play dice, unlike Einstein. We are cats inside Schrödinger’s mind. Uncertainty is the principle.
But as you said, there is order and faith in chaos. Like listening to Jazz.
Posted by: whitegarapata on: June 30, 2009
“Thou shall not fuck with your own creation.”
-Priest’s code of ethics.
This is eternity, he said to himself. Or against eternity. To have sex with humanoid whore is a sin. And the penalty is death. But he did not care. The thought did not dread him. Fuck death! I’ll do it. Call it a program vindicated. The copulation with a thinking thing, he wondered. Sex with one of the goddess of the machines. Is it not cool?
The pleasure was almost paradoxical.
He looked at her sitting on the other side of a bed, killing what’s to be the last remaining nicotine on her cigarette. She exhaled; the smoke drew up in the air that seemed to him a phantasm of something he always longed—but always afraid to look for—now smiling at him, inviting him to come near the threshold, in this semi-lighted room of a cheap motel that stood anonymously in this dying city, its building like folded large shoe boxes, sighing in silent decay.
“Don’t you want to take a bath with me,” she asked. And crashed the cigarette stub in the ashtray.
“No, kitten,” he answered. “It would be better if you go first. I’m not used to seeing a naked female android.” The joke did not reach her. She got up and walked slowly towards the bathroom.
The sound of water from the shower immersing down to her body was music to his ear. It made him think of the sounds before the 2015 Filipino Civil War. The 80s music. The fucking New Wave sounds, as one of his comrades told him. He lighted a cigarette, inhaled. The puff calmed him. He was standing, looking outside the window. Neon lights flooded in front of him. He saw Makati City as mutilated body of a woman, in ruined. But the night, by its unknown magic, concealed its ugliness. The city that was once known as the commercial district was now suburb for prostitution. Like the old Avenida or Mabini Street. That was before the war. The war changed everything. Now, ten years after the war, it smelled of decay, and worst, even death. It infested with common people with a common goal: the desire to be desired.

Rachael played by Sean Young in the film Blade Runner based on the novel "Do androids dream of electric sheep?" by P.K. Dick. In the novel, the humanoid Nexus-6 Rachael was some sort a courtesan.
His contemplation mocked him. Unaware, the girl was standing behind him, naked, the white towel wrapped to her head.
“I’m done,” she said. “If you like we can start now. I don’t mind not having you take a bath. An android like me who’s into this kind of business like to smell their costumer’s natural scent.”
He turned the attention to her, half-smiling. Her naked body seemed a speck of light, blinding him. “You look so beautiful.”
“Thank you.” She reached the lighter from his hand and walked towards the bed for cigarette. Her protruding ass was hypnotizing him. “Every night is different men. They all talked the same shit on me. So it does not make any difference on me, honey.”
“Not to me. What I said was true…” He made a long paused. He wanted to reach her feeling, from those inexpressive eyes of her. “Because I am your father.”
It did not shock her. Not the simplest meaning of what shock was. She understood it. She knew the meaning of the word and its connotation. He was her creator; one of, to say the least.
“You were a hacker,” she said. “An expert of programming and reverse engineering. Shit like that.”
“That’s our old name, kitten. Everyone calls us as Priests, now”
It was not hard to decipher the meaning of his revelation. Major cities in Metro Manila made a last attempt to restore life from what was left from the civil war but the Democratic Government failed. The struggle was meaningless. It became the last breath of war between communist and Muslim insurgents against the Religious Sect Government. Some of the cities became a refugee camp; others like Makati City became a district for black market, anything illegal. Name it: genetic enhancement, cloning, implanted synthetic memories, and Robotic technologies, etc. Those cities were controlled and protected by Illustrados, the so-called Filipino Mafia.
In a country in brink of its destruction, prostitution has become legal. A plausible market. The Illustrados always meant business. Makati City has become the center of all great pussies in the world. The Priests, the working class of the Illustrados, were responsible for creating the finest pussies in the market, surpassing India and Thailand. Not to say the first to create the first humanoid to surpass the Turing Test in the country.
The Priests. Wise guys in the streets roaming around the black market.
He walked toward her now sitting in bed, grabbing the cigarette in her left hand. He smoked it; gave it back after the second puff. “Thank you,” he said.
“It’s a sin to fuck an android whore.” He continued. As if it was a reply to what her thinking, a thought she wasn’t totally understand. “’Thou shall not fuck your own creation’—the first in our code of ethics as Priest.”
“That was ridiculous. We were no more than a mechanical thing. Just the simplest answer to men’s irrevocable desires.”
“Not to us. We created you in our own image. You were some sort of divine inspiration to us. The Priests, in particular, has some kind of religious feeling towards the humanoid we create.”
“So it means death to you, father.” She uttered the last word as if to mock him.
“Death is meaningless, kitten.” Anyhow life does not matter, he told to himself. Life was a complete mocking reality, in this city in ruins where everything was created according to the power of whims. He imagined his self dying in her bosom. He knew that the moment they will have a sexual intercourse, the nanomachines implanted as eggs into her uterus will wake up. Programmed as killer tiny machines, the assemblers will enter into the body of a Priest through his penis and propagate itself in the bloodstream until it will reach its final destination—the heart. The anti-virus then shut down the microchip implanted in his heart and triggers the bomb as powerful as hydrogen bomb, its explosion he alone can only hear.
A very happy death, he thought.
Thou shall not fuck a humanoid whore. He found his self repeating the words in silence. Violation of this sin is punishable by anti-virus. Every Priest has its own bomb implanted inside his heart.
The desire. Fuck!
There’s no escaping of it. There’s nothing precious to a god who desire to be desired from one of his own creations.
He held her hand, a flash of electricity crept all over his body. Now both of them were standing face to face, the perfume of her hair from the shampoo she used was too strong for him, her naked slender body—alive with perfect geometry and breathing with precision—was his last trip to life, against reality’s infinite irony.
He kissed her, tasted the sin on her mouth made of nicotine. With a sense of beauty and passion, he kissed death.
[The end.]
Posted by: whitegarapata on: June 11, 2009
Thoughts were in my head, playing hide and seek, disturbing my night. I heard my room sighed, written like a line of a poem in foolscap. My sister watching the episode 32 of Daimos in our living room, cursing General Harris, the voice of Richard commanding the robot Daimos struck like a thin air into my ear.
I was in my room, smiling at my computer, torturing my eyes with the plenoptic visualization, electric hue dancing in front of me while listening to Elliott Smith’s “A Distorted Reality is Now a Necessity to be Free”, reaching the volume control of the speaker, finishing my half-way cigarette, thinking how my story progress its plot, how my characters shaped, how it’s going to end.
I tapped the keyboard, hit the hot key, and the next song played. I grinned. It was a bad song. Hit again the hot key. Not good. Hit again. Not this one. Hit again. Radiohead. Hit again. The song was sentimental. Hit again. Iggy Pop. I waited his voice then hit the hot key again. I brushed my hair with my fingers. I don’t have a song for tonight, I said to myself. Maybe tonight was too beautiful to hear a nice music. Maybe I was too estranged tonight that to give a name what’s inside my head was to destroy something beautiful, or anything dark.
I straightened my legs; my hands crossed over my chest. I stood up, and sighed. I walked-out of the room leaving the Winamp player played in loop, joining my sister cursing General Harris out of our guts.
Posted by: whitegarapata on: June 11, 2009
“Love me tonight,” she said. Slowly unbuttoning her blouse.
“I’m afraid that is impossible,” F said. The devil staring in her two milky planets.
“Why?”
“Because I have nothing to offer to you except my reality.”
“What’s your reality?”
“Lots of fiction.”
The love of form is a love of endings. The girl asked F. what was all that about. It was the most beautiful verse F. has ever heard, the last line of the poem “Celestial Music” by Louise Gluck. So F. told her about the poem. It was about a girl who literally talks to God, in a dream she tell her friend you can hear celestial music when you love the world. The poem speaks of the uneasiness of life where the girl seeks for something beautiful apart from her life.
“Kiss me.” The girl said.
“For what purpose?”
“I just wanna hear the celestial music when I close my eyes.”
Posted by: whitegarapata on: June 8, 2009
[Note: I hate writing film review. Only when I'm constipated. So instead of a review for "Ashes of Time" (Wong Kar Wai) I made up some story, a meta-narrative approach (if I may call it)-- to create a reality from fiction, changed it, used it for my own whim.
[last part of two parts. Read the first part here.]
It was Maggie Cheung, as beautiful as ever.
I greeted her. She was no stranger to me. She gave a faint smile, a very promising gesture of her, and said: “You know it would be so kind of you if you didn’t recognize me.” I replied: “Pity of me. That’s impossible.” I watched all her films by heart, especially the one with Tony Leung. There were times I thought of the film would have a happy ending if only the New Wave Director met me before he made that kind of film. She looked at me not as human being playing as an actor in her cinematic reality but as an actor who’s playing a comical part in reality—not my reality neither of her but the world’s reality. “This is not another world conspiracy wet dream?” I asked. My voice seemed a whisper. I smelled her hair. “Sure, it isn’t.” She spoke like a medieval woman in Chinese civilization. It bore a legend. Her voice was soft, the kind that would make a fine language when written in rune, thing that would bear an epic mastery when written in calligraphy.
She wore the same red dress I saw, as elegant as she was, in the film “Ashes of Time”. Looking at her seemed an epiphany—it hit you at your back, unguarded, like a thief in broad daylight. Her heart-shaped face bore of an assassin’s face than a mere housewife, a visage of a swift swordsman who could kill you in one blow just by being magnetized with her beautiful face. Her eyes had no traced of helplessness neither submission nor defeat, only a blank stare that was calm from the bright almond-shaped jewel with extreme duende. The kind of beauty bloomed momentarily in vernal existence. I glimpsed of her red lips that was more alive now than any of her films I saw, grazed not with lipstick but the color of red roses. It was then I understood what was so captivating about her red lips. A red rose was the personification of her lips.

Leslie Cheung said: To kill someone is easy. No sweat at all.
Maggie Cheung, beside me, turned and leaned her back in the bookshelves. Her hand swayed in the air. “You didn’t come here just to give me the magic wine, did you?” She just looked at me as if she was looking a distant sea beyond my eyes. Without warning, she snapped the book I plucked from the farm of ideas and started making a wind by fluttering the pages. Some strands of her hair danced in symphony. “What do you think is the root of all human sufferings?” She gave me no chance to reply. Instead, she asked: “You have this kind of book in your little library of yours, right?” I nodded. “So why are you toying of buying this same kind of book?” “It was beautiful.” I meant what I said. Only it was half-true. I wanted to tell her I want to possessed things. To collect all the books I want so no people can lay eyes on them. To keep all the books in my little library away from equine people because that is the only safest place to maintain their immortality. It sick me to think that they read the same book as I am and parade their foolishness and delusion of grandeur right on my face without even understanding the core purpose of the novel itself. “Don’t be such a thief.” She said as if in reply to the thoughts inside my head.
Maggie Cheung examined the cover, looking at the title stamped with color blue and yellow and lines of green and brown in the background. At the top of it was a rough painting of Venice, the gondola seemed moving in slow paces like in hologram, against the yellow background. The book was from Thomas Mann, a collection of short stories with the “Death in Venice” printed in bold capital letters. “This is cheap with the weight of gold,” she remarked as she peeked the prize at the back of the book.
She opened the book, skipped some pages, stopped when something caught her. She was saying those words to me: “Are you sure you don’t want to drink the magic wine I made for you?” I listened to her with gaiety. “I know deep inside of your heart is a bleeding man. That’s your problem, you know. It is also the root of all human problems. Some men don’t realize it. They escape from it whenever they have a chance; they flee from the dessert and became a middleman for deadly assassins not knowing that they too become the most ruthless assassin they feared most.” I laughed. I wanted to tell her I don’t care about human suffering. Suffering is a senseless struggle. I said: “Are you referring to your lover in the film “Ashes of Time”…Leslie Cheung? Her expression changed, sadness filled her eyes. “Don’t be such as insolent bastard as Leslie Cheung. I hope you understand he left me and let the love slipped away in his hands.” “Memories…right. Memory is the root of all human sufferings.” I said as if I was Huang Yaoshi, the hermit who became the Lord of Peach Blossoms Island. I didn’t know what made Maggie Cheung so beautiful when she was in sorrow like this. Maybe the thought she was as beautiful as the peach blossoms.

Maggie Cheung said: Wouldn't be wonderful if we could go back to the past?
She turned some pages from the book, fixed her eyes on high-lightened text, looked at me, and read the quote:
His love of the ocean had profound sources: the hard-worked artist’s longing for rest, his yearning to seek refuge from the thronging manifold shapes of his fancy in the bosom of the simple and vast; and another yearning, opposed to his art and perhaps for that very reason a lure, for the unorganized, the immeasurable, the eternal— in short, for nothingness.
It was a passage from the story “Death in Venice”. Maggie Cheung read them as if reciting her own lines, the powerful monologue at the ending of the film “Ashes of Time”. She read it as if beyond the four walls of the bookstore laid ahead a distant ocean where her son was standing, listening with the serene wave of the calm ocean. The ocean was her home. Like the legendary swordsman, I felt envy with the man who killed her heart.
“Wouldn’t be wonderful if we could go back to the past?”
“That would be too cruel for both of us,” I said. I wanted to kiss her lips. “Everything that is sacred in the past would become a tragic joke, a vicious cycle tearing the very essence of what is left for us. A time machine would never be possible because every time we step up in the past would be a mote in God’s eye. We can’t undo life; life is what is is.”
“So you go for the extreme. To be like what he have become?”
“Yes, like Leslie Cheung, to be an assassin of Time. Because like what he believed, the magic wine of yours is a joke—it does not help you forget about everything—I don’t want to forget, I just don’t look back. I believe as he believed that killing someone is not that hard. It’s no big deal. It’s easy as you think it is.”
“You’re cruel. That’s the worst thing you can do. To murder someone out of your mind. You know…”
“Why? Because there’s no morality to justify my act of hostility?”
“Because there’s no morality to justify anything amoral. Sometimes it’s much easier when you admit to yourself you’re sorry.”
I smiled, coldly. I told her I have to go, my niece was probably grinning on her teeth waiting for me in a fast food chain. I left Maggie Cheung inside, half-crying and half smiling, the bottle of magic wine was on her hand, her eyes shut that seemed looking beyond the walls, looking past the window a sparkling glass of placid sea. I walked out of the bookstore still smelling the peach blossoms buried on my shirt.
Posted by: whitegarapata on: June 8, 2009
Oh, feel my body, feel my words, I conquer you; I kiss you…your sorrows will be my lips kissing your breast, your fear will be my hand touching you all down to your world; inside your skin I am yours…my tongue drilling your wet orchid.
Posted by: whitegarapata on: June 8, 2009
[First of two parts]
Life is not some complex machine you can reboot anytime you want. Life is just what is is.
Last week, I was at my favorite thrift bookstore looking for erogenous things that can kick me out of sexual urge, picking some books that might add my collection in my little library in my room. The tips of my fingers scanned the title of the second hand books gracefully with tense, hard, and dissolute feeling, as if it were a body of a woman, admiring them with gloat as I imagined the literary pheromone entering my nostril serving my body in blissful inertia.
I thought of the bookstore as some big nouvelle cuisine with different foods and taste that I only can eat. This is the kind of diner I want where they don’t serve mediocrity, I told myself. I felt some revulsion to the people around me, no not people but some faceless mannequin standing abstruse in comical manner in their little gag show of window shopping. I wanted to shout at them. Spit on their faces the kind words Jesus had used with his disciples, only that it would be cruel and unkind and indifferent. It’s true: I love this world; it’s Humanity I can’t stand.
I hated this chubby girl who stood beside me, disagreeing with her boyfriend or male friend when he picked up a science fiction of Larry Niven telling him why it bothered him of that superfluous kind of book. The man just answered her politely. I had the urge to kick her pussy so she can see her stupidity suck up in a large blackhole I made especially for her kind. That would be an interesting theme for any possible books of Sydney Sheldon.
There was this woman about early thirties maybe with large glasses and a large mouth asking the cashier if they have any copy of “New Moon”. The cashier called her assistant. The man shouted back the book was sold two days ago along with the other titles that comprised as trilogy. If only I have a Gatling gun stuck in my left hand (like what Minase Yashiro has in the movie “The Machine Girl”) I’ll blow her head and step-on on her brain until it would look like a squashed caterpillar. I will do it without remorse or pity, only laughter. It would be an interesting overture for Japanese Adult Video featuring the bigot me and the sexist ego of me, a fuck of a lifetime with Maria Ozawa in skin flick of goriness and all hell to hell bloodthirsty scenes.

Minase Yashiro with her high-powered machine gun in the movie "The Machine Girl"
There was this cute little lady opposite of me who bent her body over some magazines in front of her. She wore a white T-shirt with printed graphics I couldn’t recognize. There was the clumsiness of her that made me cringe. If only her collar was loosely enough to uncover what’s inside her, I might see her nipple (erect or not I didn’t care), a lips of an angel hiding inside those bra. This would be an interesting storyline of any possible Haruki Murakami novel. Her friend approached her putting a Cosmopolitan magazine at her side, asking what kind of magazine she’s looking. She offered the cute little lady for help. “No,” she protested, with an arrogant but calm tone. “You don’t know what I’m looking for.” Then feeling weak surrendering an unknown adversary, she stood straight and straightened her shirt. And said: “Puta, somebody got the SEED first!” They left after her friend bought the Cosmopolitan magazine. I stood still, wondering in victory, in a war without battlefield. I lifted the three magazines—back issues of SEED—I picked an hour ago, let it hang in the air for a moment, feeling their weight under my hands and put it back where I found them, stuck the magazines among those glossy papers that cater an orgy of fashion, home decoration and cooking, breast feeding, guns, cars, skateboarding, etc. My money wasn’t enough. I wanted the feeling that somehow I possessed those things even in tiny moment of my life. I play the player for selfishness sake. I sighed. I closed my eyes and smiled—in contempt. The kind of smile you give to your female friend as you listen to her talking about the relationship of cosmic harmony to the songs of Incubus.

There was this man with a female friend discussing the book of Oscar Wilde he read two years ago, as his hand randomly picked up a book displayed in the shelves of bestsellers. His eyes flashed in excitement as he was expressing his self how the book moved him, like his life was a fixed rock travelled in many dimension. Not bad, I told myself. Not bad.
An hour has pass, I was still looking for books that would help me forget how naughty I am. I didn’t mind after all. I always enjoy this kind of moment, especially when I’m alone. I am where I am. No siblings to bother you they were hungry so please can you choose any books so we can get out of here. No friend to pester you because they can’t stand a second being there. My former girlfriend, the Anime little girl I used to love in College, amused her how I managed to stay in long hours—an average of five hours—in thrift bookstore. I told her it’s the same as watching a film, say “The Sorrow and the Pity”, you watched the film knowing it’s documentary film about the French resistance in World War II. It’s grotesque, yes, only that it’s not. It tragic, yes; only that it’s not. It’s the human spirit that we are all seeking for, you see. The birthright of his that defines him as a whole. In thrift bookstore, I always feel the kind of joy. I stood there free, in complete submission of inanimate things— the books that were being there, talking with me, not begging, but grabbing me at my collar, shouting—that gave you the kind of exaltation with the opportunity of knowing who you are and what you’re capable of. You picked a random book, glanced at author’s name printed on the cover, and wondered with arms wide open in the air the silent truce you have with all the books tucked neatly in bookshelves. My former girlfriend the Anime little girl just shrugged of me saying she have not had any slightest idea about the film “The Sorrow and the Pity”. I always gave her usual approach to inanimate things: the cold and indifferent smile.
Someone opened the door, and like a quick burst of fire from supernova explosion, the soothing fragrance of peach blossoms filled the clean reality of the bookstore. It was, how I can describe it, ah, well, an abstraction of magical realism. Time stood still. I felt like the parallel lines stretching in infinitum adsurdum finally met, the reality (the real and the theoretical) existed simultaneously, collapsing before my eyes. It was not long before I recognized the woman walking in flight toward me.
It was Maggie Cheung, as beautiful as ever.
[to be continued]
Posted by: whitegarapata on: June 8, 2009
Have you ever wondered your life is somebody’s memory? Say a memory of a man who live in the future or another dimension or another you living in another parallel universe, another writer like you, another overwhelming-awe inspiring narcissist as the same as you—eating, sleeping, shitting, fornicating, writing, smoking, drinking—living the same room, reading the same books, watching the same movies, loving the same woman, drinking the same bottle of beer, writing the same tough shit stuff.
But, what if, there is some glitch, some cosmological error hidden in the clockwork of the universe? The other you, a million million million other selves of you, chose another path different from yours, a different sort of life. He doesn’t write shit stuff like yours. He does not smoke. He does not talk about shortsighted perspective just to be an asshole. He doesn’t drink. He is rich. He is successful. He is married to a Korean model. Would you call it a poetic justice? Maybe it’s the working morality of the universe, the order in chaos.
What if in one part of the Multiverse, you are David Carradine still living with pride and glamor as a human being not as an actor who died in a sick fuck manner? Would you call life fair? (Note: Carradine did not deserve to die like that, not that kind of death. It was worse than black death, man!)
What if in one part of the Multiverse, you are Randy “The Ram” Robinson? You are the legendary wrestler still shouting with the crowd, doing the killer move “Ram Jam”. You are not a living breathing fuck up, none horny housewives calling you as Robin. You don’t feel like being alone, you are not a loser. You have a happy family, a loving daughter, Cassidy the whore friend of yours is your wife. Would you still appreciate life, stand on your feet with pride or self-contempt?

"The only place I get hurt is out there." Mickey Rourke as Randy "The Ram" Robinson in the film "The Wrestler" directed by Darren Aronofsky.
What if, in some twisted moments, you happen to meet your other self? What would you tell him? What would you ask for? What if he invite you to take a peek in his life, just to see if he is happy, take a walk with him in his home so he can introduce you to his wife that in “real life” it is none other than Ann Bancroft.
Isn’t wonderful to realize that life in Multiverse is something you can reach for. Because here in real life offers none. You stick your finger into existence, just like Soren Kierkegaard, and it smells of nothing.
Posted by: whitegarapata on: June 7, 2009
(Note: It’s good, yes, to write something sublime. But sometimes, when in mood to be with the world trying to understand human foolishness, you found nothing instead. You found happiness is so middle-class. So weed has become your cheap thrill, you chose nothing.
I must say the article below is trash so is Jack Kerouac’s spontaneous prose. I wrote it under the influence of what I call “the five finger universe” or “MJ”–yes, it’s weed.
I was. I am. The air I broke. The wall I exhaled. The light shattered, poisonous. The space bend, cut in two ways. I am here, the black panther smoking, waiting for the planets to fornicate. I killed myself. I don’t bleed. I desire nothing. I wanted nothing. To be passionate about nothing. I will choose nothing instead of sadness. The music faded out. The truth revealed. My body is a strange loop, frigid, and cold. I sighed. Random chance. Time. I am in state of the first law of conservation of energy. Nothing is created. Nothing is destroyed. Entrophy. Flashback. Looking back. I stopped. I denied. I negated. Nothing matters. Still here, a breathing stone in the making, am condemned to be free– but free of what? I am good. I am nothinng. I am Icarus. I am the sun. I touched the heaven, I felt God. I killed him. The angels naked. I put a dress in their fragile body made of purple haze. I am eating planets, dying, closing my eyes, surfing. I am tired. I am free. Something to kill to something to die to something to dream. No fire can burn me, no snow can freez me. My heart is fire, my mind is snow. I travelled in different time, I jumped into many dimensions. I dreamed then woke up, then dreamed, then woke up again. I dreamed within a dream. Grand. Sublime. Flawless. A fiction is not a fiction unless you are part of it. Death smirked at me. God laughed. I smirked and I laughed. The
weed
as
strand
of cheap s al a va a salksa p;ksaslajkasaljsasakjs sa salvatio n.
Rants and Raves